Canon // Specs & data rates
Canon EOS C400.
Full frame sensor, 6000 × 4000, 20 recording formats with the manufacturer's data rates. Pick one to work out the terabytes for your shoot.
En español ↗Sensor6K BSI stacked · Full frame
Sensor size36 × 19 mm
Max resolution6000 × 4000
Base ISO800 / 3200 / 12800 (RAW or Canon Log 2/3)
Dynamic range16 stops (Canon Log 2, ISO 800)
MountRF (PL and EF via adapters)
Media1x CFexpress 2.0 Type B, 1x SD (RAW to CFexpress only)
Latest firmware1.0.8.1Firmware tracker →
Slow & Fast Motion No sound in the clip (optional separate WAV). RAW above 60P needs a crop: Super 35 (4.3K 100P, 4K 120P) or Super 16 (2K 180P).
Official specs ↗ · checked 2026-11-08
Cinema RAW Light HQ
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 6K Full frame 3:2 open gate | 6000 × 4000 | · | 30 | 274 | 16.4 | 0.98 | Calculate →src ↗ |
| 6K Full frame | 6000 × 3164 | 36 × 19 mm | · | 216 | 13.0 | 0.78 | Calculate →src ↗ |
| 4.3K Super 35 crop | 4368 × 2304 | · | 60100 · Slow & Fast Motion | 114 | 6.9 | 0.41 | Calculate →src ↗ |
| 2K Super 16 crop | 2184 × 1152 | · | 60180 · Slow & Fast Motion | 28.8 | 1.7 | 0.10 | Calculate →src ↗ |
Cinema RAW Light ST
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 6K Full frame | 6000 × 3164 | 36 × 19 mm | 60 | 106 | 6.4 | 0.38 | Calculate →src ↗ |
| 4.3K Super 35 crop | 4368 × 2304 | · | 60100 · Slow & Fast Motion | 56.4 | 3.4 | 0.20 | Calculate →src ↗ |
| 4K DCI Super 35 crop (Slow & Fast only) | 4096 × 2160 | · | ·120 · Slow & Fast Motion | 49.7 | 3.0 | 0.18 | Calculate →src ↗ |
| 2K Super 16 crop | 2184 × 1152 | · | 60180 · Slow & Fast Motion | 14.2 | 0.8 | 0.05 | Calculate →src ↗ |
Cinema RAW Light LT
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 6K Full frame | 6000 × 3164 | 36 × 19 mm | 60 | 69.1 | 4.1 | 0.25 | Calculate →src ↗ |
| 4.3K Super 35 crop | 4368 × 2304 | · | 60100 · Slow & Fast Motion | 36.7 | 2.2 | 0.13 | Calculate →src ↗ |
| 2K Super 16 crop | 2184 × 1152 | · | 60180 · Slow & Fast Motion | 9.2 | 0.6 | 0.03 | Calculate →src ↗ |
XF-AVC Intra 4:2:2 10-bit
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 4K DCI / UHD | 4096 × 2160 | 36 × 19 mm | 60120 · Slow & Fast Motion | 60.0 | 3.6 | 0.22 | Calculate →src ↗ |
| 2K DCI / FHD | 2048 × 1080 | 36 × 19 mm | 60180 · Slow & Fast Motion | 15.0 | 0.9 | 0.05 | Calculate →src ↗ |
XF-AVC Long GOP 4:2:2 10-bit
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 4K DCI / UHD (23.98P to 29.97P) | 4096 × 2160 | 36 × 19 mm | 30120 · Slow & Fast Motion | 18.8● | 1.1 | 0.07 | Calculate →src ↗ |
| 4K DCI / UHD 50/60P | 4096 × 2160 | 36 × 19 mm | 60120 · Slow & Fast Motion | 31.3● | 1.9 | 0.11 | Calculate →src ↗ |
| 2K DCI / FHD | 2048 × 1080 | 36 × 19 mm | 60180 · Slow & Fast Motion | 6.3● | 0.4 | 0.02 | Calculate →src ↗ |
XF-HEVC S 4:2:2 10-bit
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 4K DCI / UHD (23.98P to 29.97P) | 4096 × 2160 | 36 × 19 mm | 30120 · Slow & Fast Motion | 16.9● | 1.0 | 0.06 | Calculate →src ↗ |
| 4K DCI / UHD 50/60P | 4096 × 2160 | 36 × 19 mm | 60120 · Slow & Fast Motion | 28.1● | 1.7 | 0.10 | Calculate →src ↗ |
XF-HEVC S 4:2:0 10-bit
| Format | Resolution | Sensor area | Max fps | MB/s | GB/min | TB/h | |
|---|---|---|---|---|---|---|---|
| 4K DCI / UHD (23.98P to 29.97P) | 4096 × 2160 | 36 × 19 mm | 30120 · Slow & Fast Motion | 12.5● | 0.8 | 0.05 | Calculate →src ↗ |
| 4K DCI / UHD 50/60P | 4096 × 2160 | 36 × 19 mm | 60120 · Slow & Fast Motion | 18.8● | 1.1 | 0.07 | Calculate →src ↗ |
Rates at 24 fps in decimal units (1 TB = 1,000 GB). RAW and intra-frame formats store a fixed size per frame, so their rate grows with the frame rate. ● marks a fixed bitrate, the same at any frame rate. Max fps: the normal maximum on the best media, in orange a special mode, in grey the limit on smaller media.
Made by Adrian Alescio, DIT in Barcelona. Free tools, no sign-up, built for the set.